In repertoire encompassing the symphonies of Beethoven and Mahler and works by Shostakovich and Stravinsky, she has conducted orchestras including Philharmonia, Royal Philharmonic, Deutsches Symphonie-Orchester Berlin, Los Angeles Philharmonic, Lucerne Symphony Orchestra, Gulbenkian Orchestra, Vienna Symphony, Bournemouth Symphony Orchestra, Barcelona Symphony, WDR Sinfonieorchester, San Diego Symphony, Bremen Philharmoniker and Orchestre Philharmonique de Liège.
A natural collaborator, she has worked with artists such as Pierre-Laurent Aimard, Marc-André Hamelin, Vikingur Olafson, Renaud Capuçon, Carolin Widmann, Leila Josefowitz, Tabea Zimmermann and Sheku Kanneh-Mason.
Following an impressive operatic debut in 2019 at Festival d’Aix-en-Provence conducting Adam Maor’s The Sleeping Thousand, Schwarz conducted Saariaho’s Innocence at Dutch National Opera, winning five-star reviews and an immediate re-invitation. She has previously conducted Káťa Kabanová at Opéra de Lyon, Hansel & Gretel at Norwegian Opera, Rusalka at Opéra de Nice and Dora at Staatsoper Stuttgart. This season she conducts the World Premiere of Michel van der Aa Theory of Flames at Dutch National Opera and Innocence at Royal Danish Opera.
Schwarz won the Trondheim Competition and became a Dudamel Fellow with the Los Angeles Philharmonic in 2018–19. Of Swiss and Australian parentage, she studied at Geneva Conservatoire and Conservatorio della Svizzera Italiana, followed by further studies with Peter Eötvös and Matthias Pintscher and masterclasses with Bernard Haitink and Neeme Järvi.
ElenaSchwarz