Siobhan Stagg

With her “angelic voice” (Kölner Stadt Anzeiger) and “ethereal stage presence” (Sydney Morning Herald), Australian soprano Siobhan Stagg has established herself as one of the most captivating lyric artists of her generation.
From 2013 to 2019, Siobhan was a member of the Deutsche Oper Berlin ensemble, where she sang leading roles including Pamina Die Zauberflöte, Tytania A Midsummer Night’s Dream, and Micaëla Carmen working with many of today’s foremost conductors and directors. 
She has since appeared on many of the world’s most prestigious stages, earning acclaim as the title role in Cendrillon (Lyric Opera of Chicago), Pamina and Susanna Le nozze di Figaro (Royal Opera House, Covent Garden and Opera Australia), Susanna (Komische Oper Berlin), Sophie Der Rosenkavalier (Opernhaus Zürich, Staatsoper Berlin), Mélisande Pelléas et Mélisande (Opéra de Dijon and Victorian Opera Melbourne), and Mirel Dark Side of the Moon, Gilda Rigoletto, Blonde, and Cordelia in Aribert Reimann’s Lear (Hamburgische Staatsoper). Other highlights include Angelica Orlando (Théâtre du Châtelet Paris), Lady Magnesia title role and Najade Ariadne auf Naxos (Bayerische Staatsoper), Blonde Die Entführung aus dem Serail (Dutch National Opera), and staged performances of Mozart’s Requiem at the Festival d’Aix-en-Provence.
A sought-after concert performer, Stagg has collaborated with ensembles such as the Symphonieorchester des Bayerischen Rundfunks, Cleveland Orchestra, London Symphony Orchestra, Wiener Symphoniker, Gürzenich Orchester Köln, and Rundfunk-Sinfonieorchester Berlin. 
The 2025/26 season sees her expand this profile with an impressive series of symphonic projects: Brahms’s Requiem with the Minnesota Orchestra, Trondheim Symphony, and Nord Deutscher Rundfunk; Mahler’s Fourth Symphony with the Utah Symphony and Staatstheater Darmstadt; Mahler’s Second Symphony with the BBC 

© photo Todd Rosenberg