The Auditorium – The History
_cut.jpg)
On the site now occupied by the Auditorium di Milano, a local cinema stood amidst the countryside at the beginning of the century.
The first references to the Cineteatro la Montagnetta date back to 1920; at the time, the venue had a seating capacity of 2,000 and screened second- or third-run silent films. With the advent of sound cinema, the Cineteatro la Montagnetta adapted to the changing times by reducing its seating capacity and changing both its name and management to become the Cinema San Gottardo. It expanded its programming to include first-run films and "talkies." Nevertheless, it remained a neighborhood cinema, screening two films a day—often second-run titles. The cinema gained prestige and a new architectural identity thanks to a redesign by Alessandro Rimini, which began in 1936.
The Società Anonima Immobiliare Rione San Gottardo commissioned the architect to renovate the cinema and, at the same time, to design a space for commercial premises and residential units, as part of a neighborhood that was gradually undergoing transformation and modernization.
The first references to the Cineteatro la Montagnetta date back to 1920; at the time, the venue had a seating capacity of 2,000 and screened second- or third-run silent films. With the advent of sound cinema, the Cineteatro la Montagnetta adapted to the changing times by reducing its seating capacity and changing both its name and management to become the Cinema San Gottardo. It expanded its programming to include first-run films and "talkies." Nevertheless, it remained a neighborhood cinema, screening two films a day—often second-run titles. The cinema gained prestige and a new architectural identity thanks to a redesign by Alessandro Rimini, which began in 1936.
The Società Anonima Immobiliare Rione San Gottardo commissioned the architect to renovate the cinema and, at the same time, to design a space for commercial premises and residential units, as part of a neighborhood that was gradually undergoing transformation and modernization.
The Cinema Teatro Massimo opened on October 20, 1938, with a screening of Hanno rapito un uomo and remained in operation throughout the war years, the post-war period, and the economic boom, continuing into the 1970s by showing popular films, lively Italian comedies, Spaghetti Westerns, and adventure movies from abroad. However, the difficulty of managing such a large venue without major first-run releases eventually led to its closure.

_cut.jpg)
In 1979, it became a recording studio for television programs until the 1990s, when—thanks to the involvement of entrepreneur Agostino Liuni—the Marzorati architectural firm carried out a renovation project that was completed in 1999.
The rest is history. Since October 6, 1999—the date of its inauguration—music has resounded within the Auditorium hall, which hosts hundreds of concerts each year featuring some of the most prestigious conductors and outstanding soloists.

photo Angelica Concari
.jpg&jwt=eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.W10.M2Nsg35BOL1WTyL7r-QYaK3oeWk64oZYHs7Y0fb1C3k)
photo Chiara Peroni-Gr Group

photo Angelica Concari
SUPPORT THE ORCHESTRA

NEW INSTRUMENTS, NEW SEASON, NEW ENERGY
Two years ago, our community achieved something extraordinary: raising over €55,000 in just 30 days to provide the Orchestra with a new set of timpani. Today, with the 2026/27 Season approaching, we are aiming for a new goal: to raise €30,000 to renew the Orchestra’s percussion instruments and continue ensuring the artistic excellence of our concerts.
SCOPRI DI PIÙ
Vuoi restare aggiornato sulle nostre attività?
Iscriviti alla newsletter!
With the contribution of
Institutional Founders
Founders Promoters
With the support of
Partner
Technical sponsors
Media Partner
Digital Partner
