Cinema Through Bach. Bach Through Cinema - Orchestra Sinfonica di Milano


What happens when Bach's music enters the cinema?
Why does such perfect, limpid, and spiritual music appear in the most extreme moments—violence, obsession, desire, crisis?

This three-part series is a cinematic journey guided by a unique presence: Johann Sebastian Bach. His music—among the highest expressions of the Western tradition—transcends eras, styles, and languages, revealing an extraordinary ability to adapt to vastly different situations and worlds without ever losing its own identity.
From great classics to contemporary cinema, Bach accompanies stories and characters, taking on a different guise each time: control, spirituality, prayer, and contemplation, but also tension, unease, and the abyss. It is music that seems at home anywhere—and which, for that very reason, never ceases to amaze.
Through guided listening and viewing of film sequences—ranging from The Silence of the Lambs to Shame, and from The Godfather to The Aviator, as well as works by Tarkovsky, Pasolini, Bergman, and Haneke—the course invites the audience into an interplay of music and imagery, offering simple yet profound tools to understand how sound transforms the meaning of what we see.
Each session explores a different theme, demonstrating how Bach can, in turn, give voice to conflicting emotions, offer solace, and provide salvation.

The course is open to everyone and requires no musical expertise; it is designed for lovers of cinema and music, and for anyone wishing to listen—and watch—in a new way.
from May 12 to 26, 2026
3 sessions  from 6:00 PM to 7:30 PM
at M.A.C. - Piazza Tito Lucrezio Caro 1
Curated by Erica Dalmartello
Schedule and Program of Meetings

  • Tuesday, May 12  Bach and the Art of Violence
  • The disturbing relationship between music and evil: ritual, control, the aesthetics of cruelty.
    (The Silence of the Lambs, The Godfather, The House that Jack Built...)

  • Tuesday, May 19  Bach and the Crisis of Man
  • Apocalypse, suffering, loss of meaning: music as a space for questioning and resistance.
    (The Gospel According to St. Matthew, Solaris, Schindler’s List…)

  • Tuesday, May 26 Bach, obsessions and desire
  • Addiction, Eros, identity: music as a mirror of our vulnerabilities.
    (The Piano Teacher, Shame, The Aviator…)

Registration fee
€ 40 for the entire series of 3 sessions
Registration for a single session is not available


For further information and registration:
Gianpaolo Scardamaglia
@-mail: [email protected]
T.: +39.375.529.05.55

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NEW INSTRUMENTS, NEW SEASON, NEW ENERGY

Two years ago, our community achieved something extraordinary: raising over €55,000 in just 30 days to provide the Orchestra with a new set of timpani. Today, with the 2026/27 Season approaching, we are aiming for a new goal: to raise €30,000 to renew the Orchestra’s percussion instruments and continue ensuring the artistic excellence of our concerts.

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How to contact us
Ticket office: Largo Gustav Mahler, Milan
La biglietteria è aperta da martedì a domenica, dalle 12.00 alle 19.00
T. 02 83389.401
[email protected]
Auditorium of Milan
Largo Mahler
Milan
M.A.C.
Piazza Tito Lucrezio Caro 1
Milan
© Fondazione Orchestra Sinfonica e Coro Sinfonico di Milano Giuseppe Verdi
Piazza Tito Lucrezio Caro, 1 - Milan
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